16,374
edits
Listening to Music: Difference between revisions
From Halachipedia
m
Text replace - "Hagot " to "Hagahot "
m (Text replace - "Brit Milah" to "Brit Milah") |
m (Text replace - "Hagot " to "Hagahot ") |
||
| Line 5: | Line 5: | ||
* The Gemara in Gittin 7a states that after the Churban Bayit, Mar Ukva forbade singing, playing, and listening to music. That applies whether the music comes from people singing or whether it comes from musical instruments. The Mishna in Sotah 48a also says that after the dissolution of the Sanhedrin, singing songs became forbidden at parties. | * The Gemara in Gittin 7a states that after the Churban Bayit, Mar Ukva forbade singing, playing, and listening to music. That applies whether the music comes from people singing or whether it comes from musical instruments. The Mishna in Sotah 48a also says that after the dissolution of the Sanhedrin, singing songs became forbidden at parties. | ||
===Dispute of the Rishonim=== | ===Dispute of the Rishonim=== | ||
# Rashi (Gittin 7a D”H Zimra) and Tosfot (Gittin 7a D”H Zimra) understand that the prohibition of Mar Ukva only includes music at feasts or parties as in the Mishna above. Tosfot adds that one should be strict to cases similar to that of the Yerushalmi (Megillah 5:3) of a person who goes to sleep and wakes up to music. Many Rishonim including: the Smag (Tisha BeAv pg 123b), Chiddushei HaRan (Gittin 7a), Tosfot HaRosh (Gittin 7a), | # Rashi (Gittin 7a D”H Zimra) and Tosfot (Gittin 7a D”H Zimra) understand that the prohibition of Mar Ukva only includes music at feasts or parties as in the Mishna above. Tosfot adds that one should be strict to cases similar to that of the Yerushalmi (Megillah 5:3) of a person who goes to sleep and wakes up to music. Many Rishonim including: the Smag (Tisha BeAv pg 123b), Chiddushei HaRan (Gittin 7a), Tosfot HaRosh (Gittin 7a), Hagahot Mordechai (beginning of Gittin), and Meiri (pg 20) agree with Rashi and Tosfot. | ||
# On the other hand, the Rambam (Taniot 5:14) writes that it’s forbidden to play musical instruments in any case, and singing is only forbidden at a feast with wine. Tur 560:3 quotes the Sh”t HaRambam 370 who forbids listening to music whether it comes through instruments or people singing and whether it’s at a feast or not. | # On the other hand, the Rambam (Taniot 5:14) writes that it’s forbidden to play musical instruments in any case, and singing is only forbidden at a feast with wine. Tur 560:3 quotes the Sh”t HaRambam 370 who forbids listening to music whether it comes through instruments or people singing and whether it’s at a feast or not. | ||
'''Understanding behind the dispute''' | '''Understanding behind the dispute''' | ||
| Line 24: | Line 24: | ||
# Halichot Shlomo (pg 412) quotes Rav Shlomo Zalman who permits listening to music that doesn’t lead to (or accompany) dancing (whether it’s sung or played by an instrument). For example, classical music would fall into this category. It’s proper not to listen to such music during the three weeks as a sign of mourning. Similarly, Rabbi Shlomo Dechovsky (Techumin, Vol 21 pg 67) quotes Rav Moshe Feinstein as permitting listening to classical music as one works because it’s unrelated to dancing (the primary prohibition of simcha is dancing, as in Magen Avraham 551:10). Others including: Rabbi Yosef B. Soloveitchik (quoted in RJJ Journal vol 14 pg 34) and Aseh Lecha Rav (3 pg 16). Lastly, Peninei Halacha (pg 145) permits songs that don’t lead to or involve simcha and, all the more so, sad songs. [Sh”t Shelat Shlomo 7:60 says that classical music should depend on the dispute between Rashi and Rambam.] | # Halichot Shlomo (pg 412) quotes Rav Shlomo Zalman who permits listening to music that doesn’t lead to (or accompany) dancing (whether it’s sung or played by an instrument). For example, classical music would fall into this category. It’s proper not to listen to such music during the three weeks as a sign of mourning. Similarly, Rabbi Shlomo Dechovsky (Techumin, Vol 21 pg 67) quotes Rav Moshe Feinstein as permitting listening to classical music as one works because it’s unrelated to dancing (the primary prohibition of simcha is dancing, as in Magen Avraham 551:10). Others including: Rabbi Yosef B. Soloveitchik (quoted in RJJ Journal vol 14 pg 34) and Aseh Lecha Rav (3 pg 16). Lastly, Peninei Halacha (pg 145) permits songs that don’t lead to or involve simcha and, all the more so, sad songs. [Sh”t Shelat Shlomo 7:60 says that classical music should depend on the dispute between Rashi and Rambam.] | ||
'''Weddings''' | '''Weddings''' | ||
# Tosfot (Gittin 7a D”H Zimra) writes that for a Tzorech Mitzvah, such as to make the Chatan and Kallah happy, one may certainly play songs with musical instruments. This is brought by many rishonim including: Meiri, Chiddushei HaRan, Tosfot HaRosh, Smag, | # Tosfot (Gittin 7a D”H Zimra) writes that for a Tzorech Mitzvah, such as to make the Chatan and Kallah happy, one may certainly play songs with musical instruments. This is brought by many rishonim including: Meiri, Chiddushei HaRan, Tosfot HaRosh, Smag, Hagahot Mordechai, Hagahot Maimon (Taniot 5). The Rama 560:3 also brings this down. This is brought down for Sephardim as well in Sh”t Yachave Daat 1:45. Sh”t Igrot Moshe O”C 168 permits all types of festivities of mitzvah and says that perhaps even a tzadeka banquet can be included. Similarly, Sh”t Yachave Daat 1:45 includes: a [[Brit Milah]], a [[Pidyon HaBen]], a Siyum, a Purim Seuda, and Chol HaMoed Dancing. | ||
'''Weddings in Yerushalayim''' | '''Weddings in Yerushalayim''' | ||
# There is an old gezerah that the rabbis of the second half of the nineteenth century established, declaring that there should be no music from musical instruments played at weddings in Yerushalayim. Rav Elyashiv in Bet Chatanim (pg 160) says that the gezerah was restricted to the Old City, while the Torat Chesed held that it applies even outside the Old City. See RJJ journal #14 pg 23, Shalmat Chayyim 1:77, 4:34, 5:40, Sh”t Shevet HaLevi 6:69 and Sh”t Tzitz Eliezer 15:33. | # There is an old gezerah that the rabbis of the second half of the nineteenth century established, declaring that there should be no music from musical instruments played at weddings in Yerushalayim. Rav Elyashiv in Bet Chatanim (pg 160) says that the gezerah was restricted to the Old City, while the Torat Chesed held that it applies even outside the Old City. See RJJ journal #14 pg 23, Shalmat Chayyim 1:77, 4:34, 5:40, Sh”t Shevet HaLevi 6:69 and Sh”t Tzitz Eliezer 15:33. | ||
| Line 45: | Line 45: | ||
* Halichot Shlomo (Tefilah 13:18) in name of Rav Shlomo Zalman and Torat HaYeshiva 1:7 rule that yeshiva students who wake up to music is included in the prohibition of chazal. See Kuntres Halichot VeHanhagot in name of Rav Eliyashiv. | * Halichot Shlomo (Tefilah 13:18) in name of Rav Shlomo Zalman and Torat HaYeshiva 1:7 rule that yeshiva students who wake up to music is included in the prohibition of chazal. See Kuntres Halichot VeHanhagot in name of Rav Eliyashiv. | ||
* Reasons to be lenient: (a) However, Torat HaYeshivot 1:7 says that a person won’t get up with another way, one can be lenient because one’s intention isn’t in order to get pleasure but rather to facilitate waking up. Torat HaYeshivot also quotes Rav Chaim Kanievsky in Shilhei DeKaytah who agrees. This leniency is similar to the leniency of classical music (see above). | * Reasons to be lenient: (a) However, Torat HaYeshivot 1:7 says that a person won’t get up with another way, one can be lenient because one’s intention isn’t in order to get pleasure but rather to facilitate waking up. Torat HaYeshivot also quotes Rav Chaim Kanievsky in Shilhei DeKaytah who agrees. This leniency is similar to the leniency of classical music (see above). | ||
* (b) Additionally, Torah HaYeshivot argues that perhaps the prohibition only applies if one goes to sleep and wakes up but waking up alone might not be an issue. [The Pri Megadim says that one should protest against those who eat a meal everyday next to those who play music. Mishna Brurah 560:12 brings this as Halacha. It’s very clear from the language of the Pri Megadim and Mishna Brurah are discussing is that of having music of a feast, but regarding having music regularly isn’t an issue. This is even more explicit in the Shaar HaTzion 560:23 who says that one shouldn’t protest since they have the | * (b) Additionally, Torah HaYeshivot argues that perhaps the prohibition only applies if one goes to sleep and wakes up but waking up alone might not be an issue. [The Pri Megadim says that one should protest against those who eat a meal everyday next to those who play music. Mishna Brurah 560:12 brings this as Halacha. It’s very clear from the language of the Pri Megadim and Mishna Brurah are discussing is that of having music of a feast, but regarding having music regularly isn’t an issue. This is even more explicit in the Shaar HaTzion 560:23 who says that one shouldn’t protest since they have the Hagahot Mordechai to rely on who says that a music at a meal only an issue of a meal of only wine or wine before eating, however drink together with a meal isn’t an issue. Accordingly, it seems that the Mishna Brurah holds that listening to music daily at midday isn’t forbidden unless there’s an issue of a feast. Similarly, the Sh”t Shevet HaLevi 6:69 writes that those who listen to music on the radio morning, at a meal, and night are definitely violating an isser, implying that regularly listening music means multiple times a day. However, Sh”t Az Nidabru 8:58:4 writes that to him it seems that listening everyday at lunch is considered listening to music regularly like the listening of the kings, nonetheless, regarding protesting others who should be lenient (like the Mishna Brurah). Sh”t Az Nidabru concludes that this issue of listening regularly depends on the minhag. Accordingly, someone who just wakes up to music has what to rely on in that it’s that it’s not called listening regularly.] </ref> | ||
# If the singer of a recorded song is a wicked person it is forbidden to listen to his music. <Ref> Sh”t Mishna Halachot 6:108. See also [http://www.chabad.org/library/article_cdo/aid/568482/jewish/Is-there-any-issue-with-listening-to-non-Jewish-music.htm Chabad.org]. </ref> | # If the singer of a recorded song is a wicked person it is forbidden to listen to his music. <Ref> Sh”t Mishna Halachot 6:108. See also [http://www.chabad.org/library/article_cdo/aid/568482/jewish/Is-there-any-issue-with-listening-to-non-Jewish-music.htm Chabad.org]. </ref> | ||
# If a certain singer was religious and then rejected religion, it is forbidden to listen to his music that he produced when he was religious unless the singer’s name is removed from that music and it’s not recognizable that it’s from that singer. <Ref> Sh”t Mishna Halachot 6:108 </ref> | # If a certain singer was religious and then rejected religion, it is forbidden to listen to his music that he produced when he was religious unless the singer’s name is removed from that music and it’s not recognizable that it’s from that singer. <Ref> Sh”t Mishna Halachot 6:108 </ref> | ||
| Line 58: | Line 58: | ||
# The minhag is to be lenient regarding playing and listening to music during Chol HaMoed for simchat HaChag. <Ref>Sh”t Mishna Halachot 8:188 leaves it in a tzarich iyun. Az nidabru 10 :23:2 says it’s clearly permissible as does Sh”T Yachave Daat 1:45. </ref> | # The minhag is to be lenient regarding playing and listening to music during Chol HaMoed for simchat HaChag. <Ref>Sh”t Mishna Halachot 8:188 leaves it in a tzarich iyun. Az nidabru 10 :23:2 says it’s clearly permissible as does Sh”T Yachave Daat 1:45. </ref> | ||
===Wedding and Sheva Brachot=== | ===Wedding and Sheva Brachot=== | ||
# One is allowed to play and listen to music at a wedding. <Ref> Tosfot (Gittin 7a D”H Zimra) writes that for a Tzorech Mitzvah such as to make the Chatan and Kallah happy, one may lechatchila play songs with musical instruments. This is brought by many rishonim including Meiri, Chiddushei HaRan, Tosfot HaRosh, Smag, | # One is allowed to play and listen to music at a wedding. <Ref> Tosfot (Gittin 7a D”H Zimra) writes that for a Tzorech Mitzvah such as to make the Chatan and Kallah happy, one may lechatchila play songs with musical instruments. This is brought by many rishonim including Meiri, Chiddushei HaRan, Tosfot HaRosh, Smag, Hagahot Mordechai, Hagahot Maimon (Taniot 5) and ruled into Halacha by Rama 560:3, and even Sephardic achronim including Sh”t Yachave Daat 1:45. </ref> | ||
# Some permit playing music at a Sheva Brachot meal during the three weeks, while some forbid. <Ref> Torat HaMoadim 5:4 writes that a simcha of Sheva Brachot would permit music during the three weeks. (It seems that Sh”t Igrot Moshe 166 and Sh”t Yechave Daat 1:45 would agree.) However, Rav Vosner in Sh”t Shevet HaLevi 3:157 writes explicitly that for a simcha of Sheva Brachot music and dancing are forbidden. </ref> | # Some permit playing music at a Sheva Brachot meal during the three weeks, while some forbid. <Ref> Torat HaMoadim 5:4 writes that a simcha of Sheva Brachot would permit music during the three weeks. (It seems that Sh”t Igrot Moshe 166 and Sh”t Yechave Daat 1:45 would agree.) However, Rav Vosner in Sh”t Shevet HaLevi 3:157 writes explicitly that for a simcha of Sheva Brachot music and dancing are forbidden. </ref> | ||
